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Take a Visit to El Rancho de las Golondrinas

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A man stands outside a historic building in El Rancho de las Golondrinas.

A visit to El Rancho de Las Golondrinas is the closest we can get to time travel. When the historic buildings are open and costumed interpreters demonstrate long-kept agricultural traditions, the ranch looks, sounds, smells, and feels much like it did 300 or even 500 years ago. For visitors and New Mexicans alike, engaging with a place like Las Golondrinas keeps these traditions alive.

What Does a Visit to El Rancho de las Golondrinas Look Like?

Stewarding the stories of the peoples who lived and worked this land along the illustrious El Camino Real is something the site’s museum director, Daniel Goodman, relishes. As a lifelong history buff and graduate of the University of Missouri with a degree in anthropology, heading a living history museum is a perfect fit for Goodman. He worked as the curator of historic sites at the Indiana State Museum before coming to New Mexico to work with the Department of Cultural Affairs. “My great-grandfather was a rancher outside of Tucumcari,” he says. “So,that story about New Mexico was always in the family lore, and in the back of my mind.” In 2011, he made the move to Las Golondrinas and has been museum director for the past decade.

“Spending a summer day at Las Golondrinas is a day of exploration and discovery,” Goodman reflects. “You can take in the property for what it is, which is a really beautiful, special, well-maintained landscape with history around every corner, and echoes of the way that human hands have impacted the property over the years.”

A man in a jacket and jeans stands outside a historical New Mexico site outdoors.
Daniel Goodman

It’s More Than Just History

Goodman recalls a time when he gave a tour to a visiting school group. There was a chaperone who was the grandmother of one of the children, and when Goodman told the kids about the soterano, a cellar that looks like a house buried underground, she asked him to stop and repeat the word. “She said she hadn’t heard that word since she was a little girl searching for a jar of fruit in her grandparents’ soterano,” Goodman says. “It was very powerful for me. The history we are sharing out here is severely underrepresented on a national scale, and language is so important when it comes to history and culture. That’s exactly what we are trying to do here.”

For instance, the Spring Festival (one of six festivals hosted this season) offered visitors the chance to really step into that living history. All of the sites and buildings were open and filled with demonstrations of regional traditional practices, like colcha embroidery, dying wool, and ristra-making. There was a procession for San Ysidro (the patron saint of agriculture), sheep shearing, and activities that engaged visitors to connect with New Mexican history in a tangible way. “There is a disconnect between human beings and their agrarian roots,” Goodman explains,“The Spring Festival is a chance for people to rediscover that.”

Story by Maria Manuela
Photography by Gabriella Marks

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Santa Fe Summer Shopping: Artisan Furniture, Home Décor & Designer Jewelry

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A wood bench sits against a beige wall with pillows on it and a cabinet to the right.
A banner for Ricky Allen and Tara Earley Real Estate Group.
Sponsored

Santa Fe is a destination for exceptional craftsmanship, thoughtful design, and makers who celebrate artistry over trends. When you’re shopping this summer, stop by these spots for deliciously creative artisan furniture, home décor, and designer jewelry.

Santa Fe’s Best Artisan Home & Design Finds Right Now

A sculpture on a stick with swirling metal sides.
Photo From Santa Kilim

Santa Kilim

Visit Santa Kilim and you journey through time, discovering pieces that joyfully bear the marks of their makers, like this Kirdi currency from Cameroon. It offers a glimpse into a rich cultural heritage and is elegantly displayed on a custom stand crafted by Santa Kilim. Truly a one of a kind treasure.

A wood bench sits against a beige wall with pillows on it and a cabinet to the right.
Photo From Neighbour Moderne

Neighbour Moderne

This 20th century Australian Miner’s Couch is a Neighbour Moderne original. It’s a soulful take on a classic piece, filled with rustic beauty with its single curved backboard, rolling-pin finials, and gently turned arms. It’s a way to own something built to last many lifetimes and one that harkens back to the simple homes of the Australian goldfields.

A person holds a clay vase in their hands.
Photo From High Noon General Store

High Noon General Store

This Tirreno vase is a favorite of ours. It’s glazed on the inside and left unglazed on the outside for the most wonderful texture and soothing earth tones, thanks to a combination of different clays. The vase is ethically handmade in Mexico by women artisans and you can feel their heart in each piece. This is an object you’ll contemplate and appreciate for years to come.

A gold chain necklace with a desert sand and pink pendant.
Photo From Daria de Koning

Daria de Koning

Wear a piece of the desert with this stunning necklace by jeweler Daria de Koning. The piece is truly unique, crafted from sunstone, Owyhee jasper, 18k yellow gold, and then fixed on a medium paperclip chain. Owyhee jasper is known for its unique sunrise and sunset colors and the pink hues are extremely rare and meant to be treasured.

The outside of a black one level modern home with patio furniture outside.
Photo From Sage Outdoor Living

Sage Outdoor Living

Savor every moment of summer with outdoor furniture from Sage Outdoor Living. They capture the style and design ethos of indoor living with a casual, welcoming air that makes your outdoor rooms, your new favorite places to spend time. Wouldn’t you love to join us in a quiet conversation in this lovely setting?

Story by Julia Platt Leonard
Featured Photo From Neighbour Moderne

Sponsored by Ricky Allen – Tara Earley Real Estate Group

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Marcos Zubia’s Journey to St. Vincent Hospital Foundation Leader

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Four people from St Vincent Hospital Foundation in blue shirts for a foundation run.

So many nonprofit leaders do what they do because of their own life experiences. Many seek to right a wrong they personally experienced, or seek a career path that allows them to have a sense of “paying back.” Marcos Zubia is such a leader. 

In 1980, the St. Vincent Hospital Foundation (SVHF) was founded as a separate 501(c)3 nonprofit organization to partner with Christus St Vincent (CSV) to raise needed funds to enhance the ability of CSV to provide care. 

At the helm of SVHF for the past four years is Marcos Zubia. Born and raised in Santa Fe’s south side, Marcos graduated from Capital High School and then continued his education, first at the Santa Fe Community College and then at New Mexico Highlands University in Las Vegas, NM. When you meet Marcos, you can immediately see how rooted he is in Santa Fe. Ask him any question, and he will inevitably circle back to his desire to do what is good for the community. His community. 

A portrait headshot of Marcos Zubia in a blue button up and suit jacket on a grey background.
Marcos Zubia

Marcos Zubia Leads the St. Vincent Hospital Foundation’s Mission in Santa Fe

What could with others feel like pretense or salesmanship, feels with Marcos a genuine and earnest desire to give back. Many Santa Feans may remember him as one of the Santa Fe New Mexican’s 10 Who Made a Difference in 2017. At that time, he was the Board President of Esperanza Shelter, a place where survivors of domestic violence find safety and a path to recovery. At age 7, Marcos was himself an Esperanza client, along with his mother Gloria, when they fled domestic violence. Marcos went on to serve as interim director at Esperanza and later, as their Development Director, helping Esperanza weather the financial maelstrom of the COVID-19 pandemic. He was all in, returning in some small part, the lifesaving support he’d received as a small child. 

It’s that same spirit of service that brought Marcos to SVHF. “Helping my community is what drives and compels me,” he commented on landing in his current role. “It’s incredibly rewarding to be part of the care that CSV provides to the community, our patients, and our workforce.” His eyes light up when he talks about the Reach Out & Read program they support, where books are provided in English and Spanish to pediatric patients.  

SVF gives back between $1.5-$2 million each year in annual giving with everything from helping to pay off overdue hospital bills, to basic needs of CSV associates, to raising the funds necessary to open the state-of-the-art Regional Cancer Center last year.

What Marcos Brings to His Role

To ensure alignment between the Foundation’s fundraising and giving with the needs of CSV, Marcos is also part of the leadership team of CSV and reports directly to CSV’s CEO, Lillian Montoya. 

“Marcos is an integral part of our team. He has brought a youthful exuberance and genuine passion to philanthropy. He has a gift for connecting people to purpose, inviting new audiences to see how giving can make a real difference in the lives of others while deepening their connection to Christus St. Vincent, our services, and our caregivers,” Montoya says. 

Marcos leads his small team of four from offices situated at the entrance to the hospital’s cafeteria. He shares that they also run the gift shop at the hospital, which generates revenue each year for the Foundation’s efforts. CSV supports all the overhead for the Foundation, ensuring that 99% of what is raised by the Foundation goes directly into philanthropic giving. 

In thinking about his role at SVF, Marcos reflects, “At some point, all of us will need healthcare in our community and from here in my role running the St. Vincent Foundation, I can help ensure that the future of that care is exceptional and accessible.” 

To support the work of the St. Vincent Foundation, visit https://stvinfoundation.org/.

Story by Bill Smith
Photos Courtesy of St. Vincent Hospital Foundation

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Spend the Summer with the Santa Fe Desert Chorale

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A woman sits on a chair in a white shirt, brown jacket and jeans.
Kate Maroney

The rafters inside the Cathedral Basilica of St. Francis de Assisi hum with symphonic sound when the Santa Fe Desert Chorale (SFDC) performs in the 140-year-old building. The ensemble, which features some of the best vocalists in the country, does two programs a year: one in the summer, July 12 through August 2, and another during the winter holiday season.

Santa Fe Desert Chorale Returns for a Summer of World-Class Choral Music

The caliber of musicians in the Santa Fe Desert Chorale makes it a standout, not just locally but among the wider universe of choir groups as well. Mezzo-soprano Kate Maroney—who has been part of SFDC since 2017—holds a doctorate in music arts from Eastman School of Music and a music degree from Yale, and has sung for the Metropolitan Opera, the New York City Ballet, Carnegie Hall, and LA Opera. She says her yearly sojourn to Santa Fe is something she looks forward to every year.

“I absolutely fell in love with the chorale,” she says of SFDC, “and I fell in love with New Mexico. The beauty, the hiking, and the natural wonders make the weeks of the summer festival so special,” says the Brooklyn-based singer.

A man sits next to a piano using his hand as he talks.
Nathan Salazar

Nathan Salazar, a pianist with SFDC, resonates with the ensemble for a different reason. The northern New Mexico native—who has been playing since he was nine years old and has graced stages such as the John F. Kennedy Center and Carnegie Hall, playing with vocalists including Susan Graham and Julia Faulkner—feels like a beacon of representation for locals.

“Growing up with a last name like Salazar (I am from the Chimayo/Santa Cruz area), and to be able to be part of the cultural fabric of Santa Fe in such a visual way, it’s so meaningful to me.” Salazar enjoys standing outside of the cathedral after a performance and greeting concert-goers. “I like to think having someone up there like me gets more people interested. More and more often, I am greeted by people from here [New Mexico], and it’s very special.”

For the Members, It’s More Than Just Singing Songs

Many of the SFDC performers return year after year, creating a family-like atmosphere that both Maroney and Salazar say is unique in the music world.

“Gigs come and go,” Salazar explains. “Something that is so special about the chorale is that many of us have been part of it for a long time.”

Having a bond with fellow musicians is something Maroney thinks makes the ensemble particularly strong.

“It’s a good incentive,” she says. “I always want to make sure I am well prepared, invested, and present in all the phrases because I have such respect for everyone in the room. You want to do your part so the whole thing is as great as it can be.”

The SFDC, under the leadership of artistic director Joshua Habermann, sings a wide array of genres like classical, pop, and folk.

“The chorale is able to perform everything from medieval chants all the way up to something written yesterday,” Salazar explains. “And they can perform all of it at the highest level.”

The Santa Fe Desert Chorale’s Summer Program

This summer, July 23-30, the ensemble will perform the Rachmaninoff Vespers, known to be some of the most difficult compositions to nail.

“It’s a kind of symphony for voices,” Maroney says. “It’s beautiful and difficult, and it requires a lot.”

And even though some of the pieces the SFDC performs are among the most demanding in the vocal canon, going to one of their summer concerts feels accessible and welcoming for music masters and novices alike.

“The music will be beautiful, but you don’t need a degree to understand it at all,” Maroney says. “It feels like the audience is part of these performances. We are all in this room, and there is this beautiful music being created, and we are all experiencing it together.”

Story by Maria Manuela
Featured Photo Courtesy Jiyang Chen
Additional Photography by Gabriella Marks

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Santa Fe Summer Shopping: Five Artisan Finds from Local Boutiques and Designers

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A long dark blue button up with a pattern at the bottom.
Photo From TOKo
A banner for Ricky Allen and Tara Earley Real Estate Group.
Sponsored

Santa Fe’s boutiques feature the city’s style when summer time rolls around. Beautiful, handcrafted jewelry, glass vases, distinct fashion, and global decor each sit in shops around the city waiting to be added to your cart. These carefully curated finds capture Santa Fe’s creative spirit and timeless attitude.

Shop Santa Fe’s Artisan Boutiques and Designers This Summer

A necklace with white, gold, and brown beads and pearls.
Photo From Dell Fox Jewelry

Dell Fox Jewelry

This necklace pairs lustrous white pearls with shimmering labradorite beads for a striking play of light and texture. Small gold discs  separate each bead, adding refined structure and subtle sparkle throughout. Effortlessly elegant, it transitions beautifully from day to evening wear, making it a versatile addition to any jewelry collection. Designed and made in Santa Fe. 

A vase with blue waves and gold speckling.
Photo From Liquid Light Glass

Liquid Light Glass

This “Starry Night In Turmoil” vase gets its inspiration from the dynamic brushstrokes of Vincent van Gogh. The hand-blown vessel (9.5” h and 7” diameter) features a black and off-white texture with a complex band of blue entwined around its middle. The starry night effect is mesmerizing.

A long dark blue button up with a pattern at the bottom.
Photo From TOKo

TOKo 

This Mao Mam jacket brings artisanal layers to outerwear you can enjoy every day. Crafted from soft, breathable cotton in a rich navy blue and purple palette, it features a distinctive patch design that makes each piece one of a kind.

A black leather jacket with a crop front.
Photo From W Department

W Department

Theyskens’ Theory Cropped Leather Jacket is waiting for you in this lovely boutique overlooking Santa Fe’s historic downtown Plaza. The design delivers a modern edge with architectural precision. Sleek black leather is shaped into a sharp, curved cutout hem for a dynamic silhouette, while the high stand collar adds structure and attitude.

A short bench in a ruse and blue pattern color.
Photo From Sukhmani Designs

Sukhmani Designs

This footstool features hand-carved antique architectural wood with a distressed blue patina. Its weathered charm mixes depth and Old-World appeal. Equal parts sculpture and seating, it brings artisanal history and rustic elegance to any interior space.

Story by Keith Recker
Featured Photo Courtesy of TOKo

Sponsored by Ricky Allen – Tara Earley Real Estate Group

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Behind the Scenes of Bringing the World to the 2026 International Folk Art Market

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Two women from the International Folk Art Market lean against a rock outside in Santa Fe.

When the International Folk Art Market opens each summer, bringing around 150 artists from more than 30 countries to the Santa Fe Railyard, a one-of-a-kind cultural experience beckons. This year the festival is from July 9-12.

Inside the 2026 International Folk Art Market: Celebrating Handmade Traditions from Around the World

“IFAM brings the world together,” says Nadia Hamid, the Market’s director of artist development and social impact. “We pop up a miracle world in which so many types of artists and visitors can interact. You cannot travel the world in one day, but you can do that at IFAM.”

Established 22 years ago, IFAM attracts more than 20,000 attendees over one weekend and relies on the help of 1,500 volunteers who come from all over the country, creating a beautiful experience for both shoppers and participating artists.

In addition to shopping for artwork from places like Fiji (new in 2026), Argentina, Morocco, and Nepal, market-goers can witness artist demonstrations, see performances, enjoy food, and hear incomparable stories from the artisans who are preserving their cultures and traditional ways through the objects they make with their hands.

“We amplify the value of handmade art,” Hamid explains. “The world is getting more and more mechanized, and in the face of the issues we have with climate change, handmade practices are invaluable.”

Two women sit on an old folk art bench outside.

A New Supportive Step for 2026

As successful as IFAM is, it is always striving to be better, do more, and help artists in more innovative and tangible ways. This year, for the first time, all 32 first-time participating artists are sponsored by IFAM. This means all of their logistical costs are covered by IFAM—from round-trip international flights and accommodations to access to the market conference, which helps them with visual merchandising and storytelling.

“We want to make sure they’re ready to share more about their heritage, their authenticity, the artists they work with who aren’t there in the booth, and what their futures look like,” Hamid says.

Putting together a market of this size and scope is no small feat. There’s a lot that has to happen behind the scenes to ensure attendees remain focused on the artists—not inconveniences like the heat or grumbling stomachs.

Jacci Gruniger, IFAM’s chief operating officer, who joined the organization in November 2025, was a longtime attendee before joining the team.

“We want the customer to walk in and have a magical experience and not even wonder how it happens,” she says.

Since IFAM takes place in July in the desert, it’s hot. This year, patrons can expect more shade structures, extra water stations, and more opportunities to sit down and eat.

On Saturday night, IFAM offers a Night Market, where shoppers can browse booths from 6 to 9 p.m. while enjoying drinks and live music. The lively evening will feature headliner Elida Almeida, a singer-songwriter from Santiago, an island in the Republic of Cabo Verde, whose soulful music will serenade the Railyard.

“I love that we are able to give people this kinesthetic, tactile, auditory experience,” Gruniger says.

Story by Maria Manuela
Photography by Gabriella Marks

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6 Recipes for a Red, White, and Blue 4th of July or Memorial Day

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A full gelatin cake in red, white, and blue colors decorated in strawberries, blueberries, and mint sits on a picnic like table.

The 4th of July or Memorial Day are all about sunshine, good company, and of course, delicious food. This year, ditch the store-bought treats and impress your guests with a spread of homemade delights that are both festive and flavorful. Whether you’re craving a sweet treat to end the evening or a refreshing side dish to complement your barbecue, we’ve got something for everyone. Taste nostalgic childhood favorites, show-stopping centerpieces, and simple skewers. No matter what you choose to make, we’ve got you covered with a variety of recipes that are perfect for your Independence Day or Memorial Day celebrations. Or, really for any hot, sunny summer day.

Celebrate Memorial Day and 4th of July with Red, White, and Blue Recipes

Homemade Bomb Pops

Two people hold red, white, and blue homemade bomb pops above two glasses of clear sparkling liquid on a picnic table.

What would the 4th of July be without a brightly colored red, white, and blue popsicle? Let our Homemade Bomb Pops take you back to your childhood nostalgia. The best part? They’re made from fresh fruit and yogurt so you can feel comfortable letting your child get some sticky fingers without the overly sugary side effects. 

Sour Cherry Crisp

A Sour Cherry Crisp sits in a white dish with a crumble topping as a slice sits on a small white plate nearby.

Not every dessert on your holiday table has to be so sweet. A Sour Cherry Crisp takes advantage of cherry season while creating a tangy fruit crumble. But, if a full plate of this sour crisp isn’t quite your thing, try serving it with a scoop of vanilla ice cream to balance out those flavors. 

Tres Leches Fourth of July Recipe

A cake sits in a cake pan decorated with strawberries, raspberries, and blueberries to make a flag design on top.

Bite into a moist, decadent cake made with Tres Leches’ famous three milks. We break this classic recipe down into simple steps to make the cake mix, Tres Leches, and whipped topping. While the design choice is up to you, we recommend an American flag shape made with strawberries, raspberries, and blueberries for an extra bit of flavor. 

4th of July Dessert Kabobs

A white plate holds 6 kabobs with strawberries, blueberries, and squares of poundcake on them.

Looking for a quick, last-minute recipe that even the kids can help make? These 4th of July Dessert Kabobs leave plenty of room for customization and creativity. Start off with a pile of strawberries, blueberries, and sliced pound cake. Then, feel free to add in powdered donut holes, watermelon, raspberries, blackberries, or whatever else your red, white, and blue heart desires. 

Red, White, and Blue Fruit Salad

A bow sits on a picnic table filled with star shaped watermelon, strawberries, blueberries, and spinkled with tajin.

The use of star-shaped cookie cutters can elevate any side dish into a beautiful display. We use this little tool to cut stars out of watermelon and apples then fill the rest of the bowl with blue and red fruits like cherries, strawberries, and blueberries. Complete our Fruit Salad with a drizzle of hot honey, lime juice, and a sprinkle of Tajín for a tangy twist.

Red, White, and Blue Stained Glass Gelatin Cake

A red, white, and blue gelatin cake decorated with fresh strawberries and blueberries sits on a platter while a woman holds out a cut slice on a small white plate.

Who knew gelatin could turn out so stunning? Our Red, White, and Blue Stained Glass Gelatin Cake requires virtually no baking, other than setting the crust, making it great for a hot summer day. Plus, you can really bring out your artistic skills to make a dazzling mosaic of red, white, and blue gelatin.

In need of plates to serve your red, white, and blue feast on? Check out stylish melamine, enamelware, and paper plates for your cookout.

Story by Kylie Thomas
Styling by Anna Franklin
Photography by Dave Bryce

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The Art of Generosity: How IndigenousWays Is Preserving Native American Culture and Community in New Mexico

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A performer on a stage with her arms raised above her head, and dressed in indigenous Native American attire at a festival.

The Art of Generosity is a storytelling series made possible through underwriting by the Santa Fe Community Foundation. Each feature shines a light on a local nonprofit shaping the cultural, social, and economic fabric of our region. By elevating these stories, the Foundation furthers its role in connecting people with the organizations and causes that help our shared home thrive.

According to the group IndigenousWays, Native Americans and other indigenous peoples make up 10.6% of New Mexico’s population. Their impact has been and is profound and ongoing. For the last 18 years, the Santa Fe-based organization has offered educational, artistic, and musical programs to serve Native peoples and their supporters, as well as initiatives aimed at promoting cultural awareness, values and traditions. The organization, founded in 2007 by Elena Higgins and Tash Terry, fosters cultural exchange, healing, and connection. 

A man in a hat with a guitar talks to a woman sitting with a yellow shirt and another woman with a hat.

Inside IndigenousWays: Arts, Music, and Cultural Programs in Santa Fe

Higgins, who recently completed a Creative West National Arts Futures Fellowship, also serves as Executive Director. A Maori/Samoan artist and musician, Higgins was born and raised in New Zealand. She lived in Australia before relocating to the United States. While attending South By Southwest (SXSW) in 2006 and being invited to visit New Mexico, she was introduced to Terry (Diné), also a musician. The women quickly formed Indigie Femme, a multiple New Mexico Music Award-nominated duo with six released albums.  

“We were playing on the Santa Fe Plaza, and many people came up and told us we should form a nonprofit so they could donate to us,” says Higgins. “So we did. As we approach 20 years as an organization, I want to express a bit of gratitude to the community, which is a miracle itself, because of the incredible love and support we receive that allows us to do for the community.” 

A group of Native Americans celebrate on a stage.

IndigenousWays is a lean organization with just two employees and a budget of around $300,000. Funds come from individual donations and grants, including a recent Creative West Cultural Sustainability award for small organizations. The board is 66% Indigenous, bolstered by more than 100 volunteers who coordinate the group’s four annual programs.  

IndigenousWays 25th Anniversary Festival

The IndigenousWays Festival celebrates its 25th anniversary this August. The annual festival is a family friendly evening of Indigenous music, art, and community. Each spring the IndigenousWays Film Festival acts as a gathering of community and storytelling on the big screen. 

Two women laugh in front of the IndigenousWays Festival sign in blue.

Monthly online wisdom circles feature artists, musicians, educators and others to share ideas. In September, the inaugural IndigenousWays Red Road Pow Wow at the Santa Fe County Fairgrounds replaces the organization’s annual fall festival. The name Red Road refers to the widely used Native American recovery and wellness program phrase that represents a journey away from addiction, colonization, and self-destruction.  

“Community is vital at this time, which is why it’s also important for our events to be free, so that no one is left behind.” 

Story by Kelly Koepke
Photos Courtesy of Mariano Frisoli 

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Meet Carmen Benson, Executive Director of Santa Fe’s Cooking with Kids

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A little girl chopping up dough on a cutting board with a green apron on.

On July 1, 2025 Carmen Benson became the Executive Director of Santa Fe-based nonprofit Cooking with Kids, just the third Executive Director in the organization’s 30-year history. Five days later, as the Trump Administration’s Department of Government Efficiency (DOGE) took an ax to federal spending, Cooking with Kids lost nearly half its annual revenue. It was baptism by fire, and Benson met the challenge head on.

Executive Director Carmen Benson Talks How Cooking with Kids Fights Food Insecurity in Santa Fe

“We were on a trajectory of growth to partner with more schools in neighboring rural counties. While that expansion has been paused for now, I’m incredibly proud of our team and partners as we continue bringing joy-filled food education to 8,000+ kids,” Benson says. That means programs in Santa Fe and parts of both San Miguel and Rio Arriba counties will continue as Benson and her team rebuild the revenue that they lost.

A woman in a white shirt and yellow jacket with blonde hair.
Carmen Benson

“Community support has been incredible, with donation income doubling this year…Thanks to ten years of planning by the people behind this work—our staff, board, and partners—we’ve built responsible reserves and diversified funding, even though SNAP-Ed once made up nearly three-quarters of our funding,” she shared.

SNAP-Ed was the nutrition education program a part of the overall Supplemental Nutrition Assistance Program (SNAP) and funded by the federal government. It aimed to promote healthy eating habits among young people and at a national level, to combat the ongoing obesity crisis in America.

At a more macro level, Cooking with Kids plays a critical role in the overall food security environment throughout Santa Fe and Northern New Mexico. There was stress on that system of food security prior to COVID, but the economic fallout of the pandemic further illuminated a serious food security crisis throughout our state.

Carmen has seen personally how food intersects with health and income instability. In 2010, as an engineer, the Army National Guard deployed her to Afghanistan for fifteen years to address food insecurity in the country. After acquiring a PhD in Agricultural Education from Texas A&M, she worked on behalf of the U.S government on food security programs around the world.

Three kids and a teacher cooking by putting ingredients into a pot.

The Future of Cooking with Kids

With the assistance of former Cooking with Kids Executive Director, Anna Farrier, who stayed on as a Senior Advisor to assist with the transition, Benson is full of optimism and energy for the future of the program. That optimism coincides with a move into a new space that will support the organization well into the future.

“Along with the financial challenges, the building we’d been in for 17 years sold, so one of my first tasks with the team was finding a home for our scrappy, growing operations. We landed in a great space—larger, better suited to our programs now and into the future, and even at a lower cost per square foot” she says.

The new space occupies two floors of a retail front near the Rufina neighborhood and has functional space for programs on the first floor and for staff offices on the second floor. “We have a roll-up door,” Carmen says with glee. “Do you have any idea how hard it is to move pallets of fresh produce and thousands of cans of beans a year through a regular doorway?” The new space should be ready for occupancy before the next school year begins.

“Our talented Educators lead cooking classes and cafeteria tastings for 430 classes in 33 partner schools, and we remain committed to our children, their families, and our communities,” Carmen said. “I feel grateful to be leading Cooking with Kids at this critical time. I’ve always believed in doing work that matters—and I get to do that alongside an incredible team and community.”

Story by Bill Smith
Photos Courtesy of Cooking with Kids

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Picnicking in the Pecos River with Field Trip

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A group of people eat at a table in the Pecos River river.

You may have picnicked by the Pecos River, but how about in it? Suzanne and Mark Rasic – founders of Field Trip – took the table to the river and shared a seasonal feast with favorite friends.

Field Trip Takes to the Pecos River for a Picnic

Sometimes, people land exactly where they were meant to be, doing exactly what they were meant to do. That’s the case for Suzanne and Marc Rasic and Field Trip, their outdoor getaway situated on the banks of the Pecos River. It’s a thriving business that caters to people wanting to get away from it all – whether for a family vacation or an intimate wedding. But more than that, it’s a passion project the two conjured up when they were living in San Francisco.

Marc is a classically trained chef who spent years honing his cooking skills in Michelin-starred restaurants, cooking for Luxembourg’s royal family, doing a stint as a chef on the Cunard cruise line, and even setting up restaurants on Google campuses. They met when Suzanne was running her women’s clothing store in Pacific Heights and Marc was at the helm of a restaurant 11 blocks away. They both used the same florist, who providently set them up on a blind date. “We met in April, got engaged in June, and married in August, and that was 23 years ago,” laughs Suzanne.

Building a Dream Come True at Field Trip

They knew they wanted to work together and linked up with Suzanne’s godson, the designer and architect William Fox, to imagine their dream business. “We we were talking about moving back to Santa Fe and Marc said, ‘If you could live anywhere, where would it be?’” Suzanne’s answer? Either Tesuque or Pecos. “And somehow the gods smiled on us and we got Pecos.” While the property needed some tidying up, the two intentionally kept a light touch. “It’s so beautiful that we didn’t want to alter the landscape or try and make it feel more polished,” says Suzanne. “It needed stewardship. It didn’t need change.”

They bought the property in 2021 and opened in October of 2022. Today Field Trip feels even more a part of the landscape, with views of the river and the surrounding mountains. A rare moment off provided the opportunity to bring friends together for a picnic in – not on – the river. Feet bare and pant legs rolled up, they were truly immersed in nature. The menu showcased Marc’s signature cooking style that leans into what’s local and fresh, with minimal intervention. It’s an approach that comes from skill, a deft palate, and confidence. “There’s something magical about taking something as ordinary as a carrot and you grill that carrot and you serve it with mint, and salt, and olive oil – three ingredients – and highlight, truly, what the complexity of a carrot could look like and taste like,” he says.

More Than Just Food

His cooking is informed not only by years spent in professional kitchens but also his own childhood in Luxembourg raised by Croatian parents. Summers were spent focused on food and family. “My summers were mostly in the countryside, eating food and having large meals with all the cousins and family together,” he says. Now traditions from his childhood like peka – a traditional Croatian cooking method where meat, seafood, and vegetables are slow-cooked under a domed lid and covered with hot embers – appear on the menu for large gatherings or casual get-togethers, like the river picnic.

“You can bring different cultures into a place, and different cooking techniques from all over the world to highlight that fire and coal and smoke can be used across a lot of different cuisines,” he says.

Connection is Key

While Suzanne topped up white wine, Marc passed around a platter of raw zucchini dotted with parmesan and thinly shaved porcini mushrooms. Trees provided dappled shade and the cool river waters brought relief from the summer sun.

It was a pinch-me moment. Everything they’d sketched out in pencil and dreamed up in their heads was real. Where many weddings and events can feel transactional, what Marc and Suzanne offer is something much deeper. “It just happened organically. I think we thought we would do some events, but we didn’t understand the need for it, and the desire for this kind of venue,” says Marc. What they’ve created is a place where everything is beautiful but nothing precious. Dogs and kids alike can run with abandon. Wedding guests can gather around the open fire as Marc shares cooking tips. It’s a gift from Marc and Suzanne and one they share in return. As Suzanne says, “It’s just the connection with the people we work with – our clients and their families. I mean, it is medicine, to be honest.

What They Ate

  • The Camp Cooler
  • Grilled bread with radishes and butter
  • Pan con tomate
  • Charred padron peppers
  • Pan con cevapi with ajvar (a take on pan con chorizo)
  • Raw zucchini salad with Parmesan and shaved porcini mushrooms
  • Peka
  • Argentinian shrimp cooked in a clay pot
  • Grilled carrots with burnt mint
  • Renate’s rum cake

Who Was There

  • Suzanne and Marc Rasic
  • Jessie and Rye Baca
  • Kimmy Rohr and Peter Valente
  • Marijke Uleman
  • David Pecorari

Special thanks to Whiskey and Clay for the beautiful tableware and Mini Falls Farm for the flowers and to photographer (and mixologist) Ashley Lynn for creating the Camp Cooler cocktail.

Story by Julia Platt Leonard
Photography by Ashley Perry Lynn
Food by Marc Rasic

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