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Behind the Scenes of Bringing the World to the 2026 International Folk Art Market

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Two women from the International Folk Art Market lean against a rock outside in Santa Fe.

When the International Folk Art Market opens each summer, bringing around 150 artists from more than 30 countries to the Santa Fe Railyard, a one-of-a-kind cultural experience beckons. This year the festival is from July 9-12.

Inside the 2026 International Folk Art Market: Celebrating Handmade Traditions from Around the World

“IFAM brings the world together,” says Nadia Hamid, the Market’s director of artist development and social impact. “We pop up a miracle world in which so many types of artists and visitors can interact. You cannot travel the world in one day, but you can do that at IFAM.”

Established 22 years ago, IFAM attracts more than 20,000 attendees over one weekend and relies on the help of 1,500 volunteers who come from all over the country, creating a beautiful experience for both shoppers and participating artists.

In addition to shopping for artwork from places like Fiji (new in 2026), Argentina, Morocco, and Nepal, market-goers can witness artist demonstrations, see performances, enjoy food, and hear incomparable stories from the artisans who are preserving their cultures and traditional ways through the objects they make with their hands.

“We amplify the value of handmade art,” Hamid explains. “The world is getting more and more mechanized, and in the face of the issues we have with climate change, handmade practices are invaluable.”

Two women sit on an old folk art bench outside.

A New Supportive Step for 2026

As successful as IFAM is, it is always striving to be better, do more, and help artists in more innovative and tangible ways. This year, for the first time, all 32 first-time participating artists are sponsored by IFAM. This means all of their logistical costs are covered by IFAM—from round-trip international flights and accommodations to access to the market conference, which helps them with visual merchandising and storytelling.

“We want to make sure they’re ready to share more about their heritage, their authenticity, the artists they work with who aren’t there in the booth, and what their futures look like,” Hamid says.

Putting together a market of this size and scope is no small feat. There’s a lot that has to happen behind the scenes to ensure attendees remain focused on the artists—not inconveniences like the heat or grumbling stomachs.

Jacci Gruniger, IFAM’s chief operating officer, who joined the organization in November 2025, was a longtime attendee before joining the team.

“We want the customer to walk in and have a magical experience and not even wonder how it happens,” she says.

Since IFAM takes place in July in the desert, it’s hot. This year, patrons can expect more shade structures, extra water stations, and more opportunities to sit down and eat.

On Saturday night, IFAM offers a Night Market, where shoppers can browse booths from 6 to 9 p.m. while enjoying drinks and live music. The lively evening will feature headliner Elida Almeida, a singer-songwriter from Santiago, an island in the Republic of Cabo Verde, whose soulful music will serenade the Railyard.

“I love that we are able to give people this kinesthetic, tactile, auditory experience,” Gruniger says.

Story by Maria Manuela
Photography by Gabriella Marks

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6 Recipes for a Red, White, and Blue 4th of July or Memorial Day

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A full gelatin cake in red, white, and blue colors decorated in strawberries, blueberries, and mint sits on a picnic like table.

The 4th of July or Memorial Day are all about sunshine, good company, and of course, delicious food. This year, ditch the store-bought treats and impress your guests with a spread of homemade delights that are both festive and flavorful. Whether you’re craving a sweet treat to end the evening or a refreshing side dish to complement your barbecue, we’ve got something for everyone. Taste nostalgic childhood favorites, show-stopping centerpieces, and simple skewers. No matter what you choose to make, we’ve got you covered with a variety of recipes that are perfect for your Independence Day or Memorial Day celebrations. Or, really for any hot, sunny summer day.

Celebrate Memorial Day and 4th of July with Red, White, and Blue Recipes

Homemade Bomb Pops

Two people hold red, white, and blue homemade bomb pops above two glasses of clear sparkling liquid on a picnic table.

What would the 4th of July be without a brightly colored red, white, and blue popsicle? Let our Homemade Bomb Pops take you back to your childhood nostalgia. The best part? They’re made from fresh fruit and yogurt so you can feel comfortable letting your child get some sticky fingers without the overly sugary side effects. 

Sour Cherry Crisp

A Sour Cherry Crisp sits in a white dish with a crumble topping as a slice sits on a small white plate nearby.

Not every dessert on your holiday table has to be so sweet. A Sour Cherry Crisp takes advantage of cherry season while creating a tangy fruit crumble. But, if a full plate of this sour crisp isn’t quite your thing, try serving it with a scoop of vanilla ice cream to balance out those flavors. 

Tres Leches Fourth of July Recipe

A cake sits in a cake pan decorated with strawberries, raspberries, and blueberries to make a flag design on top.

Bite into a moist, decadent cake made with Tres Leches’ famous three milks. We break this classic recipe down into simple steps to make the cake mix, Tres Leches, and whipped topping. While the design choice is up to you, we recommend an American flag shape made with strawberries, raspberries, and blueberries for an extra bit of flavor. 

4th of July Dessert Kabobs

A white plate holds 6 kabobs with strawberries, blueberries, and squares of poundcake on them.

Looking for a quick, last-minute recipe that even the kids can help make? These 4th of July Dessert Kabobs leave plenty of room for customization and creativity. Start off with a pile of strawberries, blueberries, and sliced pound cake. Then, feel free to add in powdered donut holes, watermelon, raspberries, blackberries, or whatever else your red, white, and blue heart desires. 

Red, White, and Blue Fruit Salad

A bow sits on a picnic table filled with star shaped watermelon, strawberries, blueberries, and spinkled with tajin.

The use of star-shaped cookie cutters can elevate any side dish into a beautiful display. We use this little tool to cut stars out of watermelon and apples then fill the rest of the bowl with blue and red fruits like cherries, strawberries, and blueberries. Complete our Fruit Salad with a drizzle of hot honey, lime juice, and a sprinkle of Tajín for a tangy twist.

Red, White, and Blue Stained Glass Gelatin Cake

A red, white, and blue gelatin cake decorated with fresh strawberries and blueberries sits on a platter while a woman holds out a cut slice on a small white plate.

Who knew gelatin could turn out so stunning? Our Red, White, and Blue Stained Glass Gelatin Cake requires virtually no baking, other than setting the crust, making it great for a hot summer day. Plus, you can really bring out your artistic skills to make a dazzling mosaic of red, white, and blue gelatin.

In need of plates to serve your red, white, and blue feast on? Check out stylish melamine, enamelware, and paper plates for your cookout.

Story by Kylie Thomas
Styling by Anna Franklin
Photography by Dave Bryce

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The Art of Generosity: How IndigenousWays Is Preserving Native American Culture and Community in New Mexico

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A performer on a stage with her arms raised above her head, and dressed in indigenous Native American attire at a festival.

The Art of Generosity is a storytelling series made possible through underwriting by the Santa Fe Community Foundation. Each feature shines a light on a local nonprofit shaping the cultural, social, and economic fabric of our region. By elevating these stories, the Foundation furthers its role in connecting people with the organizations and causes that help our shared home thrive.

According to the group IndigenousWays, Native Americans and other indigenous peoples make up 10.6% of New Mexico’s population. Their impact has been and is profound and ongoing. For the last 18 years, the Santa Fe-based organization has offered educational, artistic, and musical programs to serve Native peoples and their supporters, as well as initiatives aimed at promoting cultural awareness, values and traditions. The organization, founded in 2007 by Elena Higgins and Tash Terry, fosters cultural exchange, healing, and connection. 

A man in a hat with a guitar talks to a woman sitting with a yellow shirt and another woman with a hat.

Inside IndigenousWays: Arts, Music, and Cultural Programs in Santa Fe

Higgins, who recently completed a Creative West National Arts Futures Fellowship, also serves as Executive Director. A Maori/Samoan artist and musician, Higgins was born and raised in New Zealand. She lived in Australia before relocating to the United States. While attending South By Southwest (SXSW) in 2006 and being invited to visit New Mexico, she was introduced to Terry (Diné), also a musician. The women quickly formed Indigie Femme, a multiple New Mexico Music Award-nominated duo with six released albums.  

“We were playing on the Santa Fe Plaza, and many people came up and told us we should form a nonprofit so they could donate to us,” says Higgins. “So we did. As we approach 20 years as an organization, I want to express a bit of gratitude to the community, which is a miracle itself, because of the incredible love and support we receive that allows us to do for the community.” 

A group of Native Americans celebrate on a stage.

IndigenousWays is a lean organization with just two employees and a budget of around $300,000. Funds come from individual donations and grants, including a recent Creative West Cultural Sustainability award for small organizations. The board is 66% Indigenous, bolstered by more than 100 volunteers who coordinate the group’s four annual programs.  

IndigenousWays 25th Anniversary Festival

The IndigenousWays Festival celebrates its 25th anniversary this August. The annual festival is a family friendly evening of Indigenous music, art, and community. Each spring the IndigenousWays Film Festival acts as a gathering of community and storytelling on the big screen. 

Two women laugh in front of the IndigenousWays Festival sign in blue.

Monthly online wisdom circles feature artists, musicians, educators and others to share ideas. In September, the inaugural IndigenousWays Red Road Pow Wow at the Santa Fe County Fairgrounds replaces the organization’s annual fall festival. The name Red Road refers to the widely used Native American recovery and wellness program phrase that represents a journey away from addiction, colonization, and self-destruction.  

“Community is vital at this time, which is why it’s also important for our events to be free, so that no one is left behind.” 

Story by Kelly Koepke
Photos Courtesy of Mariano Frisoli 

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Meet Carmen Benson, Executive Director of Santa Fe’s Cooking with Kids

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A little girl chopping up dough on a cutting board with a green apron on.

On July 1, 2025 Carmen Benson became the Executive Director of Santa Fe-based nonprofit Cooking with Kids, just the third Executive Director in the organization’s 30-year history. Five days later, as the Trump Administration’s Department of Government Efficiency (DOGE) took an ax to federal spending, Cooking with Kids lost nearly half its annual revenue. It was baptism by fire, and Benson met the challenge head on.

Executive Director Carmen Benson Talks How Cooking with Kids Fights Food Insecurity in Santa Fe

“We were on a trajectory of growth to partner with more schools in neighboring rural counties. While that expansion has been paused for now, I’m incredibly proud of our team and partners as we continue bringing joy-filled food education to 8,000+ kids,” Benson says. That means programs in Santa Fe and parts of both San Miguel and Rio Arriba counties will continue as Benson and her team rebuild the revenue that they lost.

A woman in a white shirt and yellow jacket with blonde hair.
Carmen Benson

“Community support has been incredible, with donation income doubling this year…Thanks to ten years of planning by the people behind this work—our staff, board, and partners—we’ve built responsible reserves and diversified funding, even though SNAP-Ed once made up nearly three-quarters of our funding,” she shared.

SNAP-Ed was the nutrition education program a part of the overall Supplemental Nutrition Assistance Program (SNAP) and funded by the federal government. It aimed to promote healthy eating habits among young people and at a national level, to combat the ongoing obesity crisis in America.

At a more macro level, Cooking with Kids plays a critical role in the overall food security environment throughout Santa Fe and Northern New Mexico. There was stress on that system of food security prior to COVID, but the economic fallout of the pandemic further illuminated a serious food security crisis throughout our state.

Carmen has seen personally how food intersects with health and income instability. In 2010, as an engineer, the Army National Guard deployed her to Afghanistan for fifteen years to address food insecurity in the country. After acquiring a PhD in Agricultural Education from Texas A&M, she worked on behalf of the U.S government on food security programs around the world.

Three kids and a teacher cooking by putting ingredients into a pot.

The Future of Cooking with Kids

With the assistance of former Cooking with Kids Executive Director, Anna Farrier, who stayed on as a Senior Advisor to assist with the transition, Benson is full of optimism and energy for the future of the program. That optimism coincides with a move into a new space that will support the organization well into the future.

“Along with the financial challenges, the building we’d been in for 17 years sold, so one of my first tasks with the team was finding a home for our scrappy, growing operations. We landed in a great space—larger, better suited to our programs now and into the future, and even at a lower cost per square foot” she says.

The new space occupies two floors of a retail front near the Rufina neighborhood and has functional space for programs on the first floor and for staff offices on the second floor. “We have a roll-up door,” Carmen says with glee. “Do you have any idea how hard it is to move pallets of fresh produce and thousands of cans of beans a year through a regular doorway?” The new space should be ready for occupancy before the next school year begins.

“Our talented Educators lead cooking classes and cafeteria tastings for 430 classes in 33 partner schools, and we remain committed to our children, their families, and our communities,” Carmen said. “I feel grateful to be leading Cooking with Kids at this critical time. I’ve always believed in doing work that matters—and I get to do that alongside an incredible team and community.”

Story by Bill Smith
Photos Courtesy of Cooking with Kids

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Picnicking in the Pecos River with Field Trip

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A group of people eat at a table in the Pecos River river.

You may have picnicked by the Pecos River, but how about in it? Suzanne and Mark Rasic – founders of Field Trip – took the table to the river and shared a seasonal feast with favorite friends.

Field Trip Takes to the Pecos River for a Picnic

Sometimes, people land exactly where they were meant to be, doing exactly what they were meant to do. That’s the case for Suzanne and Marc Rasic and Field Trip, their outdoor getaway situated on the banks of the Pecos River. It’s a thriving business that caters to people wanting to get away from it all – whether for a family vacation or an intimate wedding. But more than that, it’s a passion project the two conjured up when they were living in San Francisco.

Marc is a classically trained chef who spent years honing his cooking skills in Michelin-starred restaurants, cooking for Luxembourg’s royal family, doing a stint as a chef on the Cunard cruise line, and even setting up restaurants on Google campuses. They met when Suzanne was running her women’s clothing store in Pacific Heights and Marc was at the helm of a restaurant 11 blocks away. They both used the same florist, who providently set them up on a blind date. “We met in April, got engaged in June, and married in August, and that was 23 years ago,” laughs Suzanne.

Building a Dream Come True at Field Trip

They knew they wanted to work together and linked up with Suzanne’s godson, the designer and architect William Fox, to imagine their dream business. “We we were talking about moving back to Santa Fe and Marc said, ‘If you could live anywhere, where would it be?’” Suzanne’s answer? Either Tesuque or Pecos. “And somehow the gods smiled on us and we got Pecos.” While the property needed some tidying up, the two intentionally kept a light touch. “It’s so beautiful that we didn’t want to alter the landscape or try and make it feel more polished,” says Suzanne. “It needed stewardship. It didn’t need change.”

They bought the property in 2021 and opened in October of 2022. Today Field Trip feels even more a part of the landscape, with views of the river and the surrounding mountains. A rare moment off provided the opportunity to bring friends together for a picnic in – not on – the river. Feet bare and pant legs rolled up, they were truly immersed in nature. The menu showcased Marc’s signature cooking style that leans into what’s local and fresh, with minimal intervention. It’s an approach that comes from skill, a deft palate, and confidence. “There’s something magical about taking something as ordinary as a carrot and you grill that carrot and you serve it with mint, and salt, and olive oil – three ingredients – and highlight, truly, what the complexity of a carrot could look like and taste like,” he says.

More Than Just Food

His cooking is informed not only by years spent in professional kitchens but also his own childhood in Luxembourg raised by Croatian parents. Summers were spent focused on food and family. “My summers were mostly in the countryside, eating food and having large meals with all the cousins and family together,” he says. Now traditions from his childhood like peka – a traditional Croatian cooking method where meat, seafood, and vegetables are slow-cooked under a domed lid and covered with hot embers – appear on the menu for large gatherings or casual get-togethers, like the river picnic.

“You can bring different cultures into a place, and different cooking techniques from all over the world to highlight that fire and coal and smoke can be used across a lot of different cuisines,” he says.

Connection is Key

While Suzanne topped up white wine, Marc passed around a platter of raw zucchini dotted with parmesan and thinly shaved porcini mushrooms. Trees provided dappled shade and the cool river waters brought relief from the summer sun.

It was a pinch-me moment. Everything they’d sketched out in pencil and dreamed up in their heads was real. Where many weddings and events can feel transactional, what Marc and Suzanne offer is something much deeper. “It just happened organically. I think we thought we would do some events, but we didn’t understand the need for it, and the desire for this kind of venue,” says Marc. What they’ve created is a place where everything is beautiful but nothing precious. Dogs and kids alike can run with abandon. Wedding guests can gather around the open fire as Marc shares cooking tips. It’s a gift from Marc and Suzanne and one they share in return. As Suzanne says, “It’s just the connection with the people we work with – our clients and their families. I mean, it is medicine, to be honest.

What They Ate

  • The Camp Cooler
  • Grilled bread with radishes and butter
  • Pan con tomate
  • Charred padron peppers
  • Pan con cevapi with ajvar (a take on pan con chorizo)
  • Raw zucchini salad with Parmesan and shaved porcini mushrooms
  • Peka
  • Argentinian shrimp cooked in a clay pot
  • Grilled carrots with burnt mint
  • Renate’s rum cake

Who Was There

  • Suzanne and Marc Rasic
  • Jessie and Rye Baca
  • Kimmy Rohr and Peter Valente
  • Marijke Uleman
  • David Pecorari

Special thanks to Whiskey and Clay for the beautiful tableware and Mini Falls Farm for the flowers and to photographer (and mixologist) Ashley Lynn for creating the Camp Cooler cocktail.

Story by Julia Platt Leonard
Photography by Ashley Perry Lynn
Food by Marc Rasic

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Camp Cooler: A Strawberry and Cherry Tomato Cocktail

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A short glass with a reddish tint and mint in the cocktail with cherry tomatoes and strawberries.

A long day of noshing and napping at Field Trip on the banks of the Pecos River demands one thing and one thing only, and that’s a Strawberry and Cherry Tomato Cocktail. Photographer and mixologist extraordinaire Ashley Lynn came up with this beauty as an ode to both Field Trip and the lazy days of summer. There’s a bit of natural sweetness from the strawberry and cherry tomato juice made at home with brightening lemon, mint, spicy Ancho Verde, Fino sherry, as well as a healthy dose of mezcal.

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A short glass with a reddish tint and mint in the cocktail with cherry tomatoes and strawberries.

Camp Cooler: A Strawberry and Cherry Tomato Cocktail


  • Author: Ashley Lynn

Description

Summer comes with a flavorful splash of strawberry and cherry tomato.


Ingredients

Scale
  • 1 ½ oz mezcal
  • ½ oz Fino sherry
  • 1 oz strawberry/cherry tomato juice
  • ½ oz lemon juice
  • ½ tsp Ancho Verde*
  • 1 ½ oz sparking water
  • Mint leaves
  • Mint, cherry tomatoes, and thinly sliced cucumber, garnish

For the strawberry/cherry tomato juice:

  • 1 oz strawberry/cherry tomato juice
  • ½ oz cane sugar


Instructions

  1. Dry shake with the mint and pour into a glass.
  2. Add ice and garnish.

For the strawberry/cherry tomato juice:

  1. Juice an equal amount of strawberries and cherry tomatoes.
  2. Pass through a fine sieve to remove any seeds and pips.
  3. Combine with the sugar.

Notes

Ancho Verde is a Mexican liqueur made from green poblano chiles. It adds a welcome herbaceous, spiciness to cocktails.

Recipe and Photography by Ashley Lynn

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Tin Artist Justin Gallegos Mayrant on the 100th Traditional Spanish Market

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A tin cross with small detail embellishments.

In a bright studio space in midtown Santa Fe, tin artist Justin Gallegos Mayrant is hard at work on a commission from the Museum of International Folk Art prior to his booth at the Traditional Spanish Market, this year on July 24 and 25. A reinterpretation of a work from the museum’s collection, it features intricately painted pieces of coral red and deep green tin that are reminiscent of the petals on a squash blossom necklace.

It’s the kind of work people know Mayrant – work that combines the traditional Spanish art form of tinwork with a contemporary aesthetic. He’s been participating in the Traditional Spanish Market since he started working in tin when he was just eight years old.

Justin Gallegos Mayrant shows off a tin mirror while talking about it.

Justin Gallegos Myrant Brings His Tin Art Back to the 100th Traditional Spanish Market

“Spanish Market is focused on supporting traditional arts under the umbrella of Spanish colonial arts,” Mayrant says. “These are types of work that were developed starting from the 1700s through the 1920s,” he adds. These Spanish arts come from local materials, creating a new kind of artwork that exists only here in New Mexico.

The process for artists to show at Traditional Spanish Market is rigorous. They have to submit a piece to the jury of experts in the field. The process is anonymous, and even after they accept an artist into the market, they still have to resubmit work to the jury once every five years. “It’s the top level for this kind of work,” Mayrant says.

Mayrant is at a point in his career where he works primarily on commissions, like the one for the Museum of International Folk Art. Traditional Spanish Market gives him an opportunity to be creative as well as make pieces he’s been dreaming up. “With market, I get room to create the work I want to do,” he says, “all the original ideas that have been building up over the year.”

A bird carved on a piece of tin.

A Chance to Speak Face-to-Face at the Market

Meeting his collectors in person and also speaking about his art-form make Traditional Spanish Market an event Mayrant returns to year after year. “Getting the in-person experience at Spanish Market, people are able to get a much deeper understanding of the work, which I think is incredibly important.”

This year marks the 100th year of the market’s existence, which has had only a few brief hiatuses during World War II and COVID. “We want to keep our artists happy, and we find ways to enhance and improve the market for both our artists and attendees,” says Janette Salazar, cultural services manager at the Atrisco Companies, which has overseen the market for five years. “Some of our artists have been participating for 50 years.” Expect to see the work of 140 artists as well as around 20 youth artists at this year’s show.

Story by Maria Manuela
Photography by Gabriella Marks

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Candice Hopkins Opens ‘Indian Theater: Native Art, Performance and Self Determination’ at SITE Santa Fe

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Candice Hopkins stands against a blue background with Indigenous style earrings hanging down with feathers and turquoise.

Candice Hopkins (citizen of Carcross/Tagish First Nation), is a curator and executive director and chief curator at Forge, an organization and cultural space dedicated to Indigenous storytelling. This ethos continues in Hopkins’ other curatorial projects, like Indian Theater: Native Art, Performance and Self-Determination, which runs at SITE Santa Fe through September 7.

Indian Theater: Native Art, Performance and Self Determination Comes Home to SITE Santa Fe

After traveling to Canada and the northeastern United States, the exhibit will have a homecoming at SITE. “Indian Theater is about Santa Fe,” says Hopkins. “People are going to be able to witness a history that their community has been at the heart of shaping.”

The idea for the show began in 2014, when Hopkins was a curator at the Museum of Contemporary Native Art and saw a document called Indian Theater. Written by the founding president of Institute of American Indian Art, Lloyd Kiva New, and students, it represented a flashpoint in Indigenous performance. “It was really profound and foundational,” Hopkins explains. “They were just starting to create the idea of what they were terming ‘new Native theater.’”

“It’s not simply an exhibition,” Hopkins explains. “It’s activated by performance. There are all kinds of ways this can be experienced differently because performance is at the heart of it.”

What is Indian Theater All About?

Throughout its run, Indian Theater will house both one-time and ongoing performances from Indigenous artists, in works created from the 1960s to the present day. “So many Native artists are also performers,” says Hopkins, whose partner is the Pulitzer Prize–winning composer Raven Chacon (Diné). “I think it’s one of the characteristics of Native artists; they are interdisciplinary and transdisciplinary.”

Among the singular performances, attendees will see renowned Indigenous creatives like Eric-Paul Riege (Diné), a fiber artist who creates sculpture, wearable works, as well as installations. Icons like Bad Bunny wear his work, and he’s going to show a series of jewelry pieces. “They are made at the scale so they could adorn the Navajo gods,” Hopkins says. “He does these amazing durational performances where he transforms himself, and you can really see these sculptures come alive. It’s really special.”

Indian Theater is just one of the ways Hopkins is working towards reshaping and informing the dialogue surrounding Native art, and what it means and feels like to be an Indigenous artist making work in 2026. She says, “It’s a way of Indigenous world-building.”

Story by Maria Manuela
Photo Courtesy of Art Basel

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Shop New Mexico Artisan Fashion, Jewelry, and Home in Vibrant Orange

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A red striped New Mexico textile cloth hangs over a wood frame in the desert.
A banner for Ricky Allen and Tara Earley Real Estate Group.
Sponsored

As New Mexico’s summer sunshine brightens our days, it’s natural to seek out fashion, artisan jewelry, and home decor with a pop of orange. It’s one small way to bring brightness into your life this season.

Shop New Mexico Artisan Fashion, Jewelry, and Home in Vibrant Orange

An orange shirt with a long flowing scarf life center.
Photo From TOko

TOko

Situated in a renovated church studio in Glastonbury, England, Terry Macey and his family design team are known for creating expressive linen and wool clothing in both classic and Asian-inspired designs, like this joyous orange striped linen pullover top. Wear it alone or pair it with Lisbon-based design studio Traces of Me silk print stole Camellias – a fluid, sophisticated, and utterly timeless piece. 

An orange gem necklace sits around a woman's neck in gold.
Photo From Golden Eye

Golden Eye

Topaz is highly prized and thought to enhance not only wealth but also health and love. Imperial topaz is especially rare and treasured with its enchanting hues of gold, orange, and pinky-red. This stunning pendant features a 2.41 ct. pear-shaped Imperial topaz, set in 18k gold, and adorned with a .16 ct. brilliant round diamond. 

A red striped New Mexico textile cloth hangs over a wood frame in the desert.
Photo From Pandora’s

Pandora’s

The Saltillo blanket is a masterwork of Mexican weaving, handcrafted by descendants of the Tlaxcalan people in Saltillo, Coahuila. This piece features a symmetrical pattern with a central diamond shape (Ojo de Dios) with horizontal bands and detailed borders. From fine wool and silk, it is a piece to treasure for generations.  

Two orange and silver and green earrings with small heart charms.
Photo From Museum of New Mexico Foundation Shops

Museum of New Mexico Foundation Shops

Up your color quotient with these beaded earrings handmade by artisans in Mexico. They’re bright and bouncy and will happily go from casual daytime to more dressy nighttime wear. They have a stud backing with a secure clip closure. 

A ring that looks like a flower with green petals and an orange center.
Photo From MoMo Taos

MoMo Taos

There is a joyful exuberance to the Dolores ring by Moriah Stanton. An orange garnet is encircled by peridots with tiny diamond accents on sides of solid 14k gold. Largely self-taught, Stanton learned the basics from friend and Taos artist Rick Montano. She creates her jewelry in her Taos studio using silver, gold, and semi-precious gemstones. 

Story by Julia Platt Leonard
Featured Photography From Pandora’s

Sponsored by Ricky Allen – Tara Earley Real Estate Group

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Santa Fe’s Museum of International Folk Art

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A child playing with wooden figurines on on wooden structure at the Santa Fe Museum of International Folk Art

The Museum of International Folk Art is home to the world’s largest collection of folk art. Spanning more than 135,000 objects from more than 100 countries, the collection offers a one-of-a-kind opportunity to engage with the crafts and traditions from the global community. 

Explore Folk Art from Around the World at Santa Fe’s Museum of International Folk Art

For more than 70 years, the museum has served as a dynamic, multidimensional learning environment where visitors of all ages can learn about traditions of the world, cultural identity, and community. Colorful exhibitions, public programs, events, and renowned artists all contribute to the museum’s unique offering. 

A vibrant colored piece of art make from yarn of figures around the sun.

The museum’s colorful and awe-inspiring exhibitions are a key draw. Rotating exhibitions showcase traditions from every continent, each devoting space to exploring different crafts and artforms. The museum’s permanent exhibition, Multiple Visions: A Common Bond is the museum’s crown jewel. Millions of visitors are drawn to this curated collection of more than 10,000 objects donated by Alexander Girard. The exhibition features a seemingly endless array of miniatures, masks, puppets, dolls, and so much more. Due to its sheer size and vastness, no two viewing experiences are the same. Visitors can peer into tiny scenes and become enchanted by their creativity and culture.  

Children viewing an exhibit on a bright orange platform in a room with hot pink and vibrant green walls at the Santa Fe Museum of International Folk Art

The museum is also a family favorite for year-round events and programs. Each event is a mix of informational and hands-on experiences that connect directly to the exhibitions on view. Every fall, the museum also hosts a free community day, each with its own theme. This year, Route 66 Community Day celebrates 100 years of the iconic Route 66. The event will include educational events, art activities, music, food vendors, and a car show and car crawl from downtown Santa Fe to Museum Hill. Each year, this annual event brings thousands of visitors to Museum Hill. 

Two young boys walking down a museum corridor pointing at colorful art on the walls of the Museum of International Folk Art

Visit Museum of International Folk Art to experience the world’s living folk art traditions. The museum is a space for anyone who wants to connect with the communities and cultures of the world.

Article Sponsored by The State of New Mexico Department of Cultural Affairs
Photography by Tira Howard

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